Author Archives: Amanda Raney

{Testing the batch} Expired Fuji Sensia 400

Once in awhile, I’ll buy a batch of expired film. Late last year, I got a bunch of old Fuji Sensia 400 and Sensia 200, which are two slide films that haven’t been produced in at least six years. I got five rolls of the Sensia 400 and five of the Sensia 200 in this batch. I’ve written in the past about what it can be like to shoot expired film, and what factors might come into play. One of those factors is how the film was stored throughout the years since it expired. If the film has been kept in a cool, dry place, the film may suffer less from color shifts and prominent grain. In the case of this batch of expired film, the seller on eBay from whom I bought it didn’t have any information on its expiration date or how it had been stored. That’s why it was important for me to test the batch of film, so I’d know if it “worked” at all. I loaded one of the Sensia 400 rolls in my Kiev 4AM and shot it at 200 ISO to try to compensate for any loss of light sensitivity that the film might have suffered due to age/conditions of storage. Oh, and I bought the film with the intention of having it cross-processed, so that’s what I had the lab do with this roll.

Listening to my prized possession Otis Redding and Carla Thomas duet record <3

Flashback vintage store in Midtown Memphis

Mallory’s apartment

Some shots around the square in Coldwater, Mississippi

(that last one is my FAVORITE shot from this roll!

Kiev 4AM • Helios-103 53mm f/1.8 • Fuji Sensia 400, expiration date unknown, cross-processed

Conclusion?

Look, if you are shooting expired slide film and having it cross-processed, you have to expect some potentially zany results. And the Sensia 400 did not disappoint! I’m glad I’ve got a few more rolls of it to play with!

I didn’t want to put this in the “Forgotten Frames” series, because it wasn’t a roll of film that I forgot about and found years after the fact without knowing what was on the film before having it developed, but it’d been so many months between when I finished the roll and when I had it processed, I really didn’t have a clue as to what I’d shot on it! I kind of felt that the contents of the roll turned out to be a pleasant surprise.

{Diana + Tri-X} 2.0

I couldn’t resist loading the Diana up with Tri-X again, after the results of the last roll. I also wanted to practice doing more pinhole photos, since I really want to get a certain 3D printed pinhole camera this year.

Como, Mississippi

Pre-zoo Pei Wei

Double exposure at the Memphis Zoo’s new Zambizi River Hippo Cam

Pinhole exposure, 6 seconds while taking a snack break at the zoo

FOUR HOUR pinhole exposure!

Pinhole exposure, 10 minutes

Variation of a shot I tried on Instax for my daily photo project

Double exposure in Como, Mississippi

Coin laundry in Como, Mississippi

 I was worried about this roll, because when I opened the back to take the film out, the roll was “fat.” Meaning it wasn’t tightly wound onto its take-up spool, and the top and bottom of the film would probably be fogged by light. When that happens, I try to get the film into a light-tight place until I can get home, where I can go into completely dark room (usually the closet) and re-roll the film more tightly onto the spool. I don’t know if this “fat roll” of Tri-X wasn’t problematic because I had unloaded the film in light that was subdued, or if you just can’t tell it’s fogged because it’s black and white film, but I was so happy when I got my scans back and the shots weren’t ruined!

Nikon N80 {Mother’s Day}

Last year on Easter weekend, I happened to have my handy dandy Nikon N80 loaded with film and took it with me when I did various things with my family that weekend. I so enjoyed the ease of shooting (auto focus! aperture priority exposure! ultra wide angle lens!) and the results I got, I really wanted to repeat the experience over Easter 2016. Unfortunately, I discovered the batteries were dead in my N80, and I wasn’t able to grab a fresh set in a timely manner. I lost out on my chance for Easter weekend, so I decided that Mother’s Day weekend might be the next best thing! I procured some new batteries, loaded the N80 up with some Kodak Portra 400, and set forth on documenting the weekend. What ended up happening was, I did a little shooting here and there, with most of the roll of film being dedicated to a little photo shoot of my mom in her Mother’s Day garb and wearing some of the presents she received that day. It’s okay. The day was all about her anyway!

Mother-daughter painting party at my sister’s church

My excitement when I realized that my N80 could do multiple exposures

A snowflake-shaped Christmas light set hanging above our table at the Mexican restaurant 😉

Honeysuckle, one of our mom’s favorite flowers

Mini photo shoot of mom! I was just crazy for her dress!

Ring one of her dear friends had given her the week before

Cherry red pearl bracelets we gave her that day

My “tattooed mom of Instagram” (that’s a “thing”, but she’s not on IG except when I put her on there!)

Absolutely crazy about the pretty little cut-out at the back of the dress!

Such a cutie!

Showing off the shawl my sister-in-law gave her for Mother’s Day

The subject of my daily photo project shot for the day

The paintings we’d done Friday night

Rare photo of my dog Dilly (mom’s fave!) since she doesn’t stand still long enough to be photographed usually

Showing my love for my sister’s “tin roof sky” porch and the globe lights strung on it

Nikon N80 • Sigma Super Wide II 24mm f/2.8 lens • Kodak Portra 400

Agfa Isola I {Two Rolls In. Again}

Photo borrowed from my 365 Project blog

The Agfa Isola I is a camera I have had for nearly ten years now. I relayed my backstory with this camera in a post in 2009, but to give you an overview: I bought it in 2006 at a camera fair during my first trip to England. I believe I paid around £10 for it. The Isola I is a medium format camera that produces 6×6 cm photos. I don’t know exactly when my Isola I was produced, but the camera was manufactured from 1957-1963. It is a basic camera with zone focusing, two shutters speeds (Bulb and 1/35s) and two apertures (f/11 and f/16.) There’s also a built-in yellow filter you can use for contrast on black and white film. Through my recent usage of Lomography Diana cameras and my Holga 120N, I thought I’d try to show people what can be done with a vintage camera that’s less plasticky than its more modern counterparts and not as expensive as the toy cameras a lot of us use.

Heretofore, I had only shot two rolls in the Isola I, both of which were black and white films. I had always been reluctant to try color in it because some of these older cameras don’t handle color very well due to the fact that they were made for black and white film (it has to do with lens coatings or lack thereof.) I decided it was high time I changed that! 

Color Roll #1 was Kodak Ektar 100

Usually I couldn’t get by with ISO 100 film on an overcast day while using a fixed shutter speed camera, but because the Agfa’s fixed shutter speed is a 1/35s, I had some leeway there. The Holga and Diana F+ take in about half that amount of light as the Agfa, for reference.

Most of this roll was taken at the Memphis Zoo when I visited there with my family. Given the age of the Agfa, I thought “Back in the late 50s and early 60s, a visitor to the zoo might have used a camera like this.” So I tried to take “touristy” photos while I was there. So maybe not the most exciting photos I’ve ever taken?

Iconic animal statues outside the zoo entrance 

Two above photos from the China-themed area where the pandas live

My family, looking at the polar bears

Part of the Northwest Passage area of the zoo

King and Queen of the Jungle in Cat Country

<3 this one of my mom lovingly looking at the lions

The zoo has Egypt-inspired decor due to the connection with Memphis, Egypt

NOT the zoo, but a photo of fleabane daisies (with an Instax mini photo of the daisies in the middle)

I struggled as to whether or not to include this one, because I think it’s not very good

Color Roll #2 was Kodak Ektachrome 64T that expired in 1997, cross-processed

 

Frames overlapped because I tried to work around the double exposure prevention. Oops!

Viewfinder issues. See below for more about that problem.

1961 Impala that has previously been seen in my 365 Project

Motorcycle in the rain

Colorful Memorial day

Also previously seen on my 365 Project

Conclusion?

This is actually my first proper attempt at reviewing the Isola I, though I have had it for nearly ten years. It’s got retro style (because it’s acutally vintage 😉 ), plus it’s inexpensive, lightweight, and capable of producing relatively sharp photos. But here’s what I don’t like about the Agfa:

  • The shutter speed of 1/35s is great, since it allows you get a good amount of light onto the film if you’re shooting a slower film. BUT I have found it somewhat tough to handhold this shutter speed. Depressing the shutter button often jars the camera just enough to cause motion blur because the shutter speed isn’t fast enough to prevent that from happening. I included some “bad” shots that I wouldn’t normally post, just so you can see what I’m talking about.
  • The viewfinder is not accurate, especially at the camera’s closest focusing distance, which is 5 feet. The photo from the zoo of the red door is a good example of this issue. Clearly I wouldn’t look through the viewfinder and compose that shot without including the entire door knocker in the composition! In the future, I’d probably compose my photo in the viewfinder, then physically take a step back to ensure the composition I want is closer to what I actually get.
  • The Isola I has double exposure prevention. A lot of people would like this, but I don’t. I will put aside the issue of actually wanting to take the occasional multiple exposure photo (because I do) and shed a light on the real issue with this: sometimes the shutter button gets pressed when the camera is in my bag, and once that happens, I have to waste a frame by advancing the film because once that shutter button is pressed, you can’t fire the shutter again until the film is advanced. I don’t even know HOW the shutter is fired when the camera’s in my bag, because the shutter button isn’t supposed to work while the lens is collapsed, but it somehow keeps happening!

Yes, I listed some cons that make it sound as if I didn’t have a positive experience with the Agfa, but the toy cameras I mentioned during the intro of this post have their own flaws as well (if you only knew how much gaffers tape I have to use on my Lomography Diana cameras to prevent light leaks…) The way I see it, the Isola I is just a basic camera from nearly sixty years ago. It is in no way a camera with modern amenities. But if you’re someone who enjoys toy cameras like the Holga or Diana and you see an Agfa Isola I for $10 or $15, I say pick it up!