Author Archives: Amanda Raney

Nikon N80 {Two Rolls In}

This is basically going to be a dual review of both the Nikon N80 and the Sigma Super Wide II 24mm/2.8 lens…

I like to call the Nikon N80 “The Camera Who Waited.”*

 

These beauties: Nikon N80 and Sigma Super Wide II

When I first became interested in photography, I used to thumb through the camera store ads in the backs of photography magazines. I could never afford any of the cameras listed in those ads, so it was like window shopping or daydreaming for me. One camera that I really REALLY wanted though was the Nikon N80. It cost hundreds of dollars, and all I could afford was a $50 Ricoh Singlex TLS.  Now, all these years later, here is one more instance when I’ve benefited from the “demise” of film photography.** I have been able to obtain a camera I wanted, but which was out of reach for many years, at a price so low that it was downright obscene!

The reason I say this is “The Camera Who Waited” is because I bought the camera body in June 2013. I did not buy a lens for it until October 2013. Immediately, I began kicking myself for selling my N8008 with a 50mm/1.8 attached to it in 2012 – having that lens would have kept this camera from “waiting” so long! I did a lot of research as to the first lens I’d like to have for my N80 and bided my time until just the right one presented itself. I thought I’d skip buying another 50mm at the moment and go for my favorite wide angle focal length instead. I chose the Sigma Super Wide II 24mm/2.8 lens. I liked the results I’d seen from the lens around the internet and was intrigued by the len’s macro abilities.

About the Nikon N80:

It’s the fanciest film SLR I’ve ever owned, so there are lots of features I could detail here. There’s a whole series of custom settings you can dial in. One thing that I love and immediately turned on were on-demand grid lines. It’s an awesome feature for me, because I feel like I am bad at getting photos straight when using wide angle lenses (such as the 24mm I’m using on the N80.) Grid lines really help with that!

Roll #1 was expired Fuji Superia X-tra 400

Testing the macro on this TINY slice of a vegan mini pear pie I’d made. If you can fill the frame this much with a 24mm lens, you KNOW it truly focuses close up!

THIS! This right here. This shot made me say, “Yup. This lens is a keeper.”

Why all the photos of a tree stump? 1. Testing the Sigma’s macro abilities again 2. I didn’t know how else to document/convey the destruction our power company left behind when it gutted a section of my family’s property to put in power lines for a new neighbor. It was devastating to unexpectedly come home to this.

An impulse purchase the same week I got the Sigma Super Wide II

The mini pumpkin I painted back at Halloween. Pre-paint can been seen in my Konica Big Mini review.

My sister’s black and gold “ombre” mini pumpkin


Twig we used as a stir stick for paint my niece used on her pumpkin

Roll #2 was Kodak Gold 200

Christmas tree in one of the offices at work. Really close focus for a 24mm lens!

Normally these photos would have gotten a blog of their own, but as this roll was part of my testing the N80, here are some “bonus” photos from my Jobes-Shields family shoot at Christmas:

Ezra and some stuffed animals. Love the fox one!

I actually cropped this one because I thought it was cuter this way 🙂

Lionel, Lisa, and Rob (baby, mommy, and daddy)

(I know this one has motion blur, but I love it!)

I COULD NOT get enough of the “Lionel asleep with his bunny” photos!

Pretty cardinal ornament my mother had on her mantel at Christmas

Shiny new coffee maker for Christmas!

Riding to Pho Hoa Bihn with Mallory

Lovely, lovely tofu with pineapple at Pho Hoa Bihn

And those were the first two rolls with my Nikon N80 and Sigma Super Wide II lens!

Conclusion?

LOVE it. Love the camera. Love the lens. The Nikon N80 is the quietest SLR I’ve ever used. You can barely hear the shutter/mirror action at all! And the lens, while a little noisy itself, yields such beautiful results! I mentioned earlier in this post that 24mm is my favorite wide angle focal length. I’m also addicted to taking “details” shots, so having a wide angle lens with the ability to focus down to about 7 inches is a real winning combination for me. I can’t wait to further test both the N80 and the Sigma Super Wide II (and get MORE lenses for the camera!) I’m sold!

*This is a Doctor Who reference. If you get it, you get it. 

**I say “demise” of film photography in jest. I and all the other film photographers are making out like bandits while people sell off their film gear cheap as chips! If you ever want to see how “alive” the film photography community is, just go search the hashtag #believeinfilm on Twitter!

{Inked}

I took these photos in October, to document the day my mother got a tattoo (yes, my MOTHER got a tattoo!) I do share “personal” work all the time on on Shoot With Personality, but I’d held off on posting these photos here until now. I can’t really explain why, except that they felt extra personal. It was a big deal that my mother got a tattoo, it meant a lot to her, and it ended up being a wonderful experience. I finally decided “Why not share some of that on my blog?”

Signing the waiver forms

Prepped

The needle


She didn’t even flinch

The finished product

Shot on Nikon EM • Kodak BW400CN

(Thanks to Joe Stamp at No Regrets Tattoo Emporium for doing such a great job with this. My mom just loved him!)

 

Weddings, as a Guest {Part Two}: The Film Photos

In September, I attended two weddings as a guest. I shared photos I’d taken at those weddings with my Samsung NX1100, but at Lea and Michael’s wedding, I also brought along my Nikon EM and a roll of Kodak BW400CN.

Sara and Lea

Guestbook

Lea’s love for Van Morrison…

Michael and Lea were being upstaged during their first dance

I love this candid of Kadie and her fella

Karen and Mark: still lovey dovey after all these years

Two of my faves from the Muddy’s gang: Hayley and Nicci

I knew we found the right place when I saw the lacy bunting on the fence. It’s very much a “Lea” thing!

I  loved the light fixtures in the historic house where the wedding took place

Packet of birdseed for throwing at Lea and Michael when they left the reception

Needlepoint upon which the guests could write their well-wishes for the newlyweds

Lee Home • Columbus, MS

It was nice seeing these pictures so many months after they were taken. Memories of a lovely wedding for lovely couple.

 

Technical info: The photos came out EXTREMELY grainy because I shot the film at 1600 – meaning I gave it less light that it needed for good exposures – and had it push processed by the photo lab. Or at least I tried to have it push-processed. Many of them are so underexposed that I’m not sure if the lab really did process it the way I intended or if the Nikon EM’s meter isn’t sophisticated enough to deal with the lighting conditions.

{Testing the batch} Expired Kodak Pro 400MC

Another day, another batch of expired film.

I just wrote a post about using some expired film that I got from ebay and talked about why using old film can be tricky. I love using expired slide film for cross-processing, but I tend to shy away from overly-expired regular color film. That’s because some of the effects of age can look worse on print film than on cross-processed film (as the latter is supposed to have kooky  colors anyway.) But I recently reminded myself about this one time that I had a few rolls of old Kodak print film and loved the results. I decided to take a chance on some Kodak Pro 400MC film I found on ebay. It expired in 1996. Yikes!

I actually started this test roll in my Yashica D TLR and swapped it over to my newly-acquired Yashica-mat TLR. And I think my film photography friends will be proud of me, because I took notes of what settings I used for these so I’d know what I’d done right or what I’d done wrong when I got the film developed!

I’d just taken a portrait of my Yashica D with my Polaroid SLR 680, then returned the favor by taking the 680’s portrait with the Yashica (+2 close-up lens used)

Our Christmas tree, with close-up filter attached to the Yashica (+2 close-up lens used)

My new boots. My “Christmas bonus”*

Sweet Lionel! From my photo session with his family at Christmas 

My darling new single cup coffee maker. Christmas pressie from my mom!  (+1 close-up filter used)

After this frame of film, I went into a dark closet, and presto chango, the film was out of the Yashica D and in the Yashica-mat!

The pretty jukebox at work

A few quick shots from the morning after we got some snowfall down here

 Conclusion?

In the aforementioned blog about expired film, I said that it can lose light sensitivity. I chose to shoot my test roll of Pro 400MC as if its ISO were 200. Meaning, I gave it one extra stop of light. This seemed to work well! I was expecting the colors to be a lot more “off” than they are – which they aren’t really – only a little softer in tone. I actually love the somewhat muted contrast. The only frames of film that weren’t “keepers” were a result of operator error. Namely, I didn’t steady the camera well enough during longer exposure times.  I’m so glad I have more of this to play with!

 

*I work for myself, so I gave myself a Christmas bonus. Of new gray boots. Savvy? 😉