Category Archives: Shop Talk

Yard Sale Finds: Canon Sureshot Supreme

I admit: I have too many cameras. But it’s only because I love cameras SO much! I justify the fact that I have so many tools in my photographic arsenal by how little most of my equipment cost. I could probably lay out all my “camera stuff” and I probably didn’t pay more than $20 or $30 for each item. Yes, there’s my digital camera set-up that cost a pretty penny, but other than that, everything else was purchased on the cheap.

Today’s featured “cheap as chips” camera is the Canon Sureshot Supreme.

My mom brought this camera, as well as a Polaroid, home with her from a yard sale last month. She is always on the lookout for cheap camera equipment on my behalf! For the Sureshot Supreme and the Polaroid, she paid $3. Yes. That’s $3 for BOTH! That means the camera I’m showing you today cost $1.50. See, you can’t hate on me for getting new cameras when the deals are that good!

Shockingly, the Canon Sureshot Supreme is not a camera I had ever heard of before having it placed in my hands. That meant I had to do a little research on it. Here’s what I found out:

Some technical specifications about the Sureshot Supreme:

  • 38mm/2.8 lens – For a point-and-shoot camera, that’s a FAST lens! Oh, and that lens is glass. Nice!
  • Shutter speed range – 1/8 sec – 1/500 sec. I like that 1/8 end of the range!
  • Auto flash – The flash is automatic, but can be forced to fire or forced to not fire. More on that later though.
  • Close focusing – This camera focuses down to 1.8 feet. Seriously, dude, that is highly unusual for a camera of this ilk. It’s more usual for cameras like this to have a minimum focusing distance of 3 feet or so.
  • Self-timer – Ten second self-timer, which is standard. But there is a really interesting design feature Canon added to go along with the self-timer. I’ll describe that in a second.

Oddities about this Sureshot Supreme:

  • Recessed “cancel flash” button on the bottom – I don’t care for flash photography and use existing light whenever possible, so I always want the ability to turn the flash off when using a point-and-shoot camera. Usually, that is done through a flash menu or a simple on-off switch. On the Sureshot Supreme though, it’s a little more tricky. You have to shove your fingernail or something into a recessed area on the bottom of the camera in order to cancel the flash. That’s not so handy.
  • “Rubber flash cap”Never have I heard of such a thing in all my days. Just as I mentioned in the above paragraph, you can generally force a camera’s flash to fire through a flash menu or on-off switch. This camera, however, has an accessory that is stored on the camera’s strap which is popped into the sensor below the lens which reads the light and  tells the camera whether or not flash is needed. Basically, you trick the camera into thinking there is not enough light in the scene you’re photographing and the flash needs to brighten things up. Seriously though, why didn’t they just put a switch on the camera so you can turn the flash on and off at will?!
  • The “tilt knob” – This is another first for me. So, what Canon has done here is decided that they want to help you make better self-portraits using the camera’s self timer. You are supposed to put the camera on a flat surface and swivel the tilt knob so the camera is pointing slightly upward at you. I guess so you don’t have to crouch down for the picture? I mean, I didn’t realize that this was a huge problem in the lives of casual photographers. Maybe it was in the 1980s when this camera was made though. Maybe back then, photography consumers needed the ability to tilt the camera “up to 16.5°” (according the the camera’s manual.)

Despite the great detail into which I’ve gone about the Canon Sureshot Supreme’s features and quirks, all that  matters is how the pictures turn out. And chances are, most of you just skipped forward to the photo section of this blog anyway. So here are some shots from the first couple of rolls I ran through the Sureshot. These were all shot on Fuji Superia X-tra 400, for those who like to know that sort of thing.

Best of Roll 1:


My first photo with the Sureshot Supreme. A deceased bird outside of Urban Outfitters. I figured it died from hipster overload. But I was pleased how the camera handled the shot! And is that vignetting I detect at the edges? I sure hope so!


It’s shaaaarp. And I thought the lens rendered the sky beautifully.


Lovely!

Gelato at YOLO

Afternoon in the park with my niece


The inside of the leather case that came with the Sureshot. I LOVE when I get used camera equipment which has the previous owner’s name written or engraved on it.

Best of Roll 2:

 


I mostly wanted the focus to be on the Lego figure, and the camera mostly came through


Great old register at a local fabric and notions store in my family’s town.

It even works on snapshots of my niece with a chocolate bar!

Hey!


Pink chair in the woods


Check out that creamy bokeh!


Srlsy. Nice bokeh, Sureshot!

Conclusion?

The Canon Sureshot Supreme is kind of an odd bird. I honestly haven’t seen any point-and-shoot like it before. Certain design features have left me scratching my head. But I really can’t complain, since the lens on the Sureshot is pretty fantastic, the camera only set me back $1.50, and auto focus point-and-shoot cameras were still in their infancy back in the mid-80s – these weird features of which I speak were probably considered totally rad innovations back then!

On a Contax High

Oh yes I DID just go there…

Oh, how the people on Flickr freaked out about this picture, because they thought I had this camera in too precarious a position…

I’ve found The One.

Maybe you’re thinking, “Amanda, I thought you found The One two years ago? You wrote that camera a love letter and everything!”  That is certainly true, but, now that some time has passed, I know now that my affections for the Hasselblad were only fleeting. I’m not ruling out the possibility that one day I might rekindle that romance, but I’m just sayin… For now though, I have given my heart and soul truly to another: The Contax 645.

I think I love you!

Good ole Dirk pulled through again. He is the best matchmaker I know. He always knows just which cameras I’ll “click” with [yup, enjoy that pun for a moment.] I think I knew as soon as Dirk pulled the Contax out of his camera bag that something special was about to happen. And for the next few weeks, that Contax never left my side.

I don’t know if it’s fair to compare your current sweetheart to your exes, but I can tell you that the Contax fits my lifestyle and shooting habits much better than the Hasselblad. With the Hassy, there is no such thing as spontaneity.  Every shot has to be set up, focused, metered, shutter cocked, then *THWACK* – you can make a photo. The Contax, however, is a perfect marriage between the quality of a medium format negative and the quickness of shooting with an auto focus 35mm cam. And that is coming from someone who really prefers using manual focus cameras!

You see, most auto focus SLR cameras give you the ability to switch between focusing methods. The problem with this is that you usually have to stop what you’re doing in order to switch the camera from auto to manual focus, or vice versa. The Contax 645 is much more clever than that,  as it happens: Say you have the camera set to manual focus, but are having a bit of trouble focusing the lens correctly. There is a little button on the back of the Contax which temporarily puts you in AF mode, focusing the shot for you immediately. The best part is that this button is so easily accessible that you don’t even have to take the camera away from your eye, wasting valuable time, in order to change to auto focus mode. You can decide from shot-to-shot whether you want to focus the lens or if you want the camera to do the work for you. It’s so brilliant!  That’s how I used the Contax during our time together. Talk about spontaneity!

Speaking of spontaneity: There’s also the small matter of the Contax having a built in exposure meter. I don’t want to make the Hasselblad feel bad about itself, but the lack of a meter was one thing that made me unsure of our ability to stick it out together for the long haul. I don’t own a proper hand-held meter, so I had to bring my Olympus XA everywhere I went to meter photos I was making with the Hassy. This is okay for making still life photos, but it’s less fun when you’re photographing people who have to wait on you to do this extra step before snapping their photo. Having an on-board meter is one thing that made me love the 645 oh so much!

I can honestly say that the 645 embodies a lot of qualities I value in a camera. Some of those features are as follows:

  • I often say that a camera who wants to “hang” with me needs to have a rough and tumble disposition – The 645 certainly meets this requirement. It’s MOS DEF solidly built and it is HUGE. I think the technical term for a camera like this is “big, honkin’ camera.”
  • The ability to take photos “on the fly” – Because I tend to do things in a more “documentary” manner, the more quickly I can get the shot, the better. Remember how I told you that I loved the ability to shift seamlessly between manual focus and auto focus? Yeah, that comes in handy for a gal like me.
  • An unusual “look” – Not gonna lie: I am glad a lot of camera I use happen to look so different from the digital cams folks are used to seeing these days. That’s not the reason I use these cameras, it’s just an added benefit. Even people I don’t know can see me with a camera like the Contax, comment on how unusual it is, and open up the opportunity to do some of my aforementioned on the fly portraits.
  • A kick-A lens – The standard lens that comes for the 645 is a friggin 80mm f/2 Carl Zeiss Planar T*. It. Is. So. Amazing. It rocked so hard that it melted my face off. Need proof of this? Take a look at what it did when Mallory and I did some portraits with the Contax and its 80mm Zeiss lens. I think my eyes nearly popped out of my head when I got that film back.

I’ve said all that to say this: I have been wanting to graduate to a medium format SLR for a couple of years now. After I got to spend some time with this Contax 645, I felt as if I had only scratched the surface for what I could do with a camera like that. And unless another camera turns my head in the near future, you can consider there to be a “watch this space” sign hanging over Shoot With Personality – a space which I plan on filling with images made with a Contax 645 of my very own!

TTV, 35mm, BTW

TTV = Through the Viewfinder

It seems to be a big trend to use one camera [usually a digital one] to shoot an image as seen through the viewfinder of another camera [usually a medium format SLR or Twin lens camera.] It’s not really my cuppa tea but…

I bring this up because my friend Ashley posted a photo she’d found somewhere on the internet and asked how it was done. Not that she didn’t realize what TTV shooting was, but she was wondering how this was being done with a 35mm camera. Or, in this case, what appeared to be a 35mm.

The photo Ashley had referenced was actually  a TTV shot taken through a Pentacon Six. It’s a medium format SLR that is commonly referred to as looking “like a 35mm camera on steroids.” Without anything in the photo to show the scale of the camera itself, one might not realize they are not looking at your every day 35mm fella but instead are looking at a medium format beast. But I wanted Ashley to know that there are 35mm SLRs in existence which feature a waist-level viewfinder. I happen to have one.

It’s a Praktica VLC3. I got it some years ago from my friend Mike. The camera has interchangeable viewfinders, so you can use either the standard “eye-level” pentaprism finder or you can change that bad boy out and use the waist-level finder. It’s really nifty. In theory. I never really used the waist-level finder on my Praktica because the size of a 35mm image versus the size of a medium format one means that what you’re seeing in its waist-level finder is teeny tiny. For practical purposes, you can’t use the Praktica’s waist-level finder at waist-level.

However, that has never stopped me from occasionally taking off the Praktica’s pentaprism finder and locking in the waist-level one. Because it makes me feel real cooooool whenever I do.

Hangin’ out with musicians: My kinda promo photography

Almost everyone I know is in a band. I love doing live band photography. But guess what? Guess what kind of photos I have most disliked doing? Band promo photos. I always felt like posing dudes wearing hoodies up against brick walls was just not my “thing.” I really seemed to struggle with this as a photographer, because I didn’t think I came out with the sorts of shots the bands wanted and which I was proud of. For the most part, I stopped agreeing to band promo photos a few years back. Things have changed this past year though.

I discovered I did have it in me to take photos that bands might use for promotional purposes, if the band/musicians were open to  “Amanda Style” band photos. Those are the sorts of photos you’ll find in the new gallery devoted to photos of musicians. And are the types of photos I’ve been wanting to do of Andrew Bryant and his band for quite some time now. Which leads me to the reason for this post.

Andrew was a one man show for years. Him, his guitar, and a microphone. In the past year or so, he’s enlisted the talents of our mutual friends to begin playing live shows with him. I’m pleased as punch. Not only does this mean Andrew’s records are translating to live performance better than ever, I can take a wider variety of shots during those live performances, and it also means that I’m privy to hanging out while the band practices from time to time. Such was the case last week, before the boys in the band had a gig in St. Louis.