Tag Archives: Film Photography

Fujica ST605N {Two Rolls In}

This could be subtitled “I got my mirror self-portrait mojo back”

As I mentioned in a previous blog post, I am trying to get back into shooting m42 cameras/lenses. In the aforementioned blog about my Praktica MTL 5, I told of a “jumpy” meter needle that didn’t make me feel very secure about its readings and said I’d actually bought another m42 body after shooting that roll with the MTL 5. The second m42 body I bought was a Fujica ST605N.

Just as with the MTL 5, there isn’t much to say about the features on the ST605N. They’re both pretty basic cameras. The film speed selector goes from to 25-3200 ASA. Shutter speeds are 1/700s – 1/2s, plus bulb. However on my Fujica, the slowest two speeds, 1/4s and 1/2s are inaccurate. This is no big deal, as I very rarely use those shutter speeds anyway. One of the Fujica’s selling points for me was the fact that it takes batteries that are much easier to find than what the Praktica takes. Battery availability is one of the main reasons I bought this camera.

Shutter speed dial on top, with shutter speeds from 1/700s – 1/2s, plus B. Film speed selection is within the shutter speed dial.

It’s not lightweight, but I do like how much more compact the Fujica is compared to the Praktica.

This is kind of a strange thing to like, but I really like the little button that activates the meter/stops the lens down! Most other cameras of this ilk have a lever (as the MTL 5 does) that you press to turn the meter on. I like both the way the round button on the Fujica looks and the way it feels. It’s pleasant, I guess.

Little round meter activation button

Another thing I like is that the Fujica has a shutter speed indicator in the viewfinder. I don’t believe I’ve ever had an m42 body that’s had that feature, but it’s pretty handy and reminds me a bit of my beloved Nikon FE’s viewfinder.

Now, to the photos. As I always say, camera bodies are just vehicles for lenses and lenses are the thing that determine image quality. But inaccurate shutter speeds or a faulty meter can ruin photos taken with even the best lens. So when I am testing a “new” camera body, I’m really testing the shutter speeds and the meter (where applicable.) The Fujica’s meter seems just fine! I was shooting some of my expired Kodak High Definition 400, so I dialed in a film speed that was a little slower than 400 to help compensate for potential stop loss of the expired film.

Roll #1 was Kodak High Definition 400, expired in 2011

Chevy Camaro, Hennessy edition in the auction bay at work. I heard a really interesting story while I was taking these photos that maybe I’ll tell you one of these days. 

Me in the beauty shop the day Rachel gave me “fancy hair”

“The new Sunday dinner” – we stop and get Popeye’s, and I get a biscuit and an ear of corn. I use agave nectar instead of the “honey sauce” (it’s not honey) that Popeye’s gives you for the biscuits. 

Hope you aren’t tired of Wyatt’s photos yet!

Sunday dress

Ewwwww

There were already way too many photos of my new favorite book on my Instagram feed, but here’s another one!

Afternoon coffee and readin’ The Scarlet Letter

Roll #2 was Ilford HP5 Plus (and outshines the color roll IMHO)

Chevelle at work

Coffee out on my aunt’s deck in Texas

Some shots using a macro extension tube on the Fujinon lens

Some sweet little champagne coupes I got at Goodwill recently

Sundress days

Memorial Day at Huddle House

Boop

“The day my Vans arrived”

Vans mirror self-portrait

Hey

Eureka theatre, Batesville, MS (color images taken that same day in Batesville, coming soon)

Photos taken with Fujica ST605N, mostly with a Fujinon 55mm/1.8 lens, though a few were with a Sears 28mm/2.8 lens

Conclusion:

I really like this Fujica! I have had so many different m42 cameras over the years, and this is definitely one of my favorites. And I’m still likin’ my Fujinon 55mm/1.8. I wish I’d not gone through the frustration and cost of having a Praktica with a weird meter before getting the ST605N, but “God bless the broken road that led me straight to you” 😉

{Just Married} Jessica + Dustin, the bonus shots

I’ll be posting more photos from Jessica and Dustin’s beautiful wedding very soon, but first I wanted to share some of the snapshots I made of their wedding with my Fuji GA645i.

The Atrium • Memphis, TN
Fuji GA645i • Kodak Portra 400 BW, expired 2003, shot at 1000 and push processed

 

 

(Pardon the graininess of the photos – I like to shoot expired film sometimes 🙂 )

{64T} GA645i

Last year, I bought a few rolls of Kodak Ektachrome 64T that expired in 1997. It’s a slide film, and the “T” means the film is balanced for tungsten lighting.  I bought the 64T with the express purpose in mind of having it cross-processed. I had only shot one roll of the 64t so far, and it had been in my Yashica-Mat (there are a couple from that same roll in an epilogue-ish post on my Amanda Goes to England blog.) I’d been itching to shoot another roll of this, but,  as I mentioned, this particular 64T expired in 1997. Film can some of its light sensitivity powers as it ages, so I shot this (and the previous roll) at 50 instead of 64. That meant I needed plenty of light to get proper exposures. Which is why I waited around until spring before I gave another roll of 64T a try! This time, though, it HAD to be in my lovely GA645i. HAD to be!

I knew this would be the most perfect cross-processed 64T shot I’d ever taken. And it is.

Springy

The rope that’s been photographed on almost every roll I’ve taken this year…

The focus isn’t where I’d intended it to be on this one, but there’s something I love about it anyway.

Wyatt’s haunches

I love the lattice design at the bottom of my sister’s porch

I’ve photographed Wyatt quite a bit lately…

Fuji GA645i • Kodak Ektachrome 64T, expired in 1997, cross-processed, shot at 50 ISO

{Hacked} Konica Big Mini

Though I feel as if I’m cheating on my Olympus Stylus Epic by saying this: I quite like the Konica Big Mini I won from a blog giveaway some time back. It’s not perfect. I don’t like how the lens has no proper cover. And it is SO LOUD, but the lens is really good. I’ve always felt like the Big Mini has a tendency to underexpose a little. Though it has a very handy +1.5 exposure compensation, I find I need to use that exposure compensation just to get a proper exposure under normal circumstances. That means that I don’t have the option to add more exposure in backlit situations, since I’m already having to employ the exposure compensation in most usual lighting circumstances. With my most recent Big Mini roll, I decided to get a little clever: I hacked the DX code on the film I was using so the camera would think I was shooting ISO 250 instead of 400. In other words, I tried to take care of the slight underexposure tendencies the camera exhibits so I would only have to use the +1.5 compensation when I actually needed it. And you know what? I’m very glad I did that!

I spent my spring trying to relax with coffee and my favorite plaid throw in the afternoons.

Dressed up for my meeting with the soon-to-be married Jessica and Dustin. Testing the Big Mini’s mirror self-portrait abilities. 

Cup of coffee at Muddy’s Grind House when I met with Jessica and Dustin there.

Some interior shots of the Grind House – I think the camera did a great job on the “Mon Cheri” cupcake shot!

The other thing I like to do: self-portraits in reflective surfaces that aren’t actual mirrors.

I left my meeting with some minty brownies, one of my favorite Muddy’s treats! 

The general manager of the auto auction had this truck turned into a fake rat rod

Sneaky mirror self-portrait! Hey! 

Hello again. Sorry for all the pictures of myself. I’m just trying to recapture my long-held tradition of self-portraits on film.

Konica Big Mini • Kodak High Definition 400, shot at 250

I think the film with the hacked DX worked out great in the Big Mini. But isn’t that a lot of trouble to go to whenever I shoot this camera? I probably won’t cheat on my Stylus Epic too often…