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{Late Entry} Expired Film Day 2017

Oops, I did it again (many a blog entry starts this way actually.)

Like last year, I shot for Expired Film Day on March 15. Like last year, I waited awhile before getting the film developed, thus falling outside the deadline to submit photos to the Expired Film Day website. (OOPS!)

This year, I again used my Yashica-Mat TLR camera. I chose to shoot a roll of Kodak Pro 1000 film that expired in the year 2000. I don’t know what kind of magic the photo lab worked when they developed and scanned these photos for me, but I think they look very cool and prettier than I expected!

Yashica-Mat • Kodak Pro 1000, expired 2000
(I rated it as 200 when metering, to account for its age)

{Testing the Batch} Expired Fuji Sensia 200

As I explained in the “Testing the Batch” post for my expired Fuji Sensia 400, I also got several rolls of Sensia 200. Like the 400, the expiration of the Sensia 200 is also unknown to me. So I loaded a roll of it into my Lomography La Sardina and just crossed my fingers that it would be okay for cross-processing!

Double exposure

Annie <3

Double exposure featuring Arrow (R.I.P.)

Oxford, Mississippi near Christmas

Hernando, Mississippi

Motorcycle at work

Hernando, Mississippi

Senatobia, Mississippi


Cooper-Young, Midtown Memphis

Slanted view of Mallory’s stove

Lomography La Sardina • Fuji Sensia 200, expiration date unknown, cross-processed

Conclusion?

probably shouldn’t have used a camera with fixed exposure settings to test this film, since I know the La Sardina is pretty “light hungry.” But, if you love grainy, cross-processed toy camera photos, you probably LOVED these! As for the film itself, I like the results, though I will probably use my remaining stock of it in cameras that allow me to set the exposure myself.

{Testing the batch} Expired Kodak Pro 400MC 2.0

Maybe you’ve noticed by now that I sometimes buy batches of expired film. I had some film called Kodak Pro 400MC a couple of years ago, which expired in 1996. I LOVED it. It was some of my favorite expired film which I’ve ever used. I wished I had lots more rolls of it once I ran out! Here are some examples of that Pro 400MC batch:

(those last two were taken in London <3)

I finally decided to buy more Pro 400MC from ebay, knowing that it wouldn’t necessarily give me the same look as the other set of Pro 400MC I had, but I thought I would give it a try anyway. I got three rolls that expired in 1999 (well, I bid on five, but then the seller realized that there were only three in the box and the other two were something else. More on that another time though…) ANYWAY, I used the test roll on one of my niece’s “$5 photo shoots” on July 4, in her “photo shoot worthy” Nintendo shirt. I know some purists won’t like the way the expired film looks in these, but I kind of LOVE them. A lot.

Fuji GA645i • Kodak Pro 400MC, expired 1999

I shot the film at 200 ASA to help compensate for the age of the film, but I will probably want to do exposure compensation in tricky lighting situations, because film this old doesn’t have as much “latitude” as fresh film. I noticed that when I used the other batch of Pro 400MC I had in my GA645i, it wasn’t as well-exposed as when I used it in a camera where I set the exposure instead of the camera doing it (which is the case with the GA645i.)

 

{Testing the batch} Expired Fuji Sensia 400

Once in awhile, I’ll buy a batch of expired film. Late last year, I got a bunch of old Fuji Sensia 400 and Sensia 200, which are two slide films that haven’t been produced in at least six years. I got five rolls of the Sensia 400 and five of the Sensia 200 in this batch. I’ve written in the past about what it can be like to shoot expired film, and what factors might come into play. One of those factors is how the film was stored throughout the years since it expired. If the film has been kept in a cool, dry place, the film may suffer less from color shifts and prominent grain. In the case of this batch of expired film, the seller on eBay from whom I bought it didn’t have any information on its expiration date or how it had been stored. That’s why it was important for me to test the batch of film, so I’d know if it “worked” at all. I loaded one of the Sensia 400 rolls in my Kiev 4AM and shot it at 200 ISO to try to compensate for any loss of light sensitivity that the film might have suffered due to age/conditions of storage. Oh, and I bought the film with the intention of having it cross-processed, so that’s what I had the lab do with this roll.

Listening to my prized possession Otis Redding and Carla Thomas duet record <3

Flashback vintage store in Midtown Memphis

Mallory’s apartment

Some shots around the square in Coldwater, Mississippi

(that last one is my FAVORITE shot from this roll!

Kiev 4AM • Helios-103 53mm f/1.8 • Fuji Sensia 400, expiration date unknown, cross-processed

Conclusion?

Look, if you are shooting expired slide film and having it cross-processed, you have to expect some potentially zany results. And the Sensia 400 did not disappoint! I’m glad I’ve got a few more rolls of it to play with!

I didn’t want to put this in the “Forgotten Frames” series, because it wasn’t a roll of film that I forgot about and found years after the fact without knowing what was on the film before having it developed, but it’d been so many months between when I finished the roll and when I had it processed, I really didn’t have a clue as to what I’d shot on it! I kind of felt that the contents of the roll turned out to be a pleasant surprise.

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