Tag Archives: Film Photography

Agfa Isola I {Two Rolls In. Again}

Photo borrowed from my 365 Project blog

The Agfa Isola I is a camera I have had for nearly ten years now. I relayed my backstory with this camera in a post in 2009, but to give you an overview: I bought it in 2006 at a camera fair during my first trip to England. I believe I paid around £10 for it. The Isola I is a medium format camera that produces 6×6 cm photos. I don’t know exactly when my Isola I was produced, but the camera was manufactured from 1957-1963. It is a basic camera with zone focusing, two shutters speeds (Bulb and 1/35s) and two apertures (f/11 and f/16.) There’s also a built-in yellow filter you can use for contrast on black and white film. Through my recent usage of Lomography Diana cameras and my Holga 120N, I thought I’d try to show people what can be done with a vintage camera that’s less plasticky than its more modern counterparts and not as expensive as the toy cameras a lot of us use.

Heretofore, I had only shot two rolls in the Isola I, both of which were black and white films. I had always been reluctant to try color in it because some of these older cameras don’t handle color very well due to the fact that they were made for black and white film (it has to do with lens coatings or lack thereof.) I decided it was high time I changed that! 

Color Roll #1 was Kodak Ektar 100

Usually I couldn’t get by with ISO 100 film on an overcast day while using a fixed shutter speed camera, but because the Agfa’s fixed shutter speed is a 1/35s, I had some leeway there. The Holga and Diana F+ take in about half that amount of light as the Agfa, for reference.

Most of this roll was taken at the Memphis Zoo when I visited there with my family. Given the age of the Agfa, I thought “Back in the late 50s and early 60s, a visitor to the zoo might have used a camera like this.” So I tried to take “touristy” photos while I was there. So maybe not the most exciting photos I’ve ever taken?

Iconic animal statues outside the zoo entrance 

Two above photos from the China-themed area where the pandas live

My family, looking at the polar bears

Part of the Northwest Passage area of the zoo

King and Queen of the Jungle in Cat Country

<3 this one of my mom lovingly looking at the lions

The zoo has Egypt-inspired decor due to the connection with Memphis, Egypt

NOT the zoo, but a photo of fleabane daisies (with an Instax mini photo of the daisies in the middle)

I struggled as to whether or not to include this one, because I think it’s not very good

Color Roll #2 was Kodak Ektachrome 64T that expired in 1997, cross-processed

 

Frames overlapped because I tried to work around the double exposure prevention. Oops!

Viewfinder issues. See below for more about that problem.

1961 Impala that has previously been seen in my 365 Project

Motorcycle in the rain

Colorful Memorial day

Also previously seen on my 365 Project

Conclusion?

This is actually my first proper attempt at reviewing the Isola I, though I have had it for nearly ten years. It’s got retro style (because it’s acutally vintage 😉 ), plus it’s inexpensive, lightweight, and capable of producing relatively sharp photos. But here’s what I don’t like about the Agfa:

  • The shutter speed of 1/35s is great, since it allows you get a good amount of light onto the film if you’re shooting a slower film. BUT I have found it somewhat tough to handhold this shutter speed. Depressing the shutter button often jars the camera just enough to cause motion blur because the shutter speed isn’t fast enough to prevent that from happening. I included some “bad” shots that I wouldn’t normally post, just so you can see what I’m talking about.
  • The viewfinder is not accurate, especially at the camera’s closest focusing distance, which is 5 feet. The photo from the zoo of the red door is a good example of this issue. Clearly I wouldn’t look through the viewfinder and compose that shot without including the entire door knocker in the composition! In the future, I’d probably compose my photo in the viewfinder, then physically take a step back to ensure the composition I want is closer to what I actually get.
  • The Isola I has double exposure prevention. A lot of people would like this, but I don’t. I will put aside the issue of actually wanting to take the occasional multiple exposure photo (because I do) and shed a light on the real issue with this: sometimes the shutter button gets pressed when the camera is in my bag, and once that happens, I have to waste a frame by advancing the film because once that shutter button is pressed, you can’t fire the shutter again until the film is advanced. I don’t even know HOW the shutter is fired when the camera’s in my bag, because the shutter button isn’t supposed to work while the lens is collapsed, but it somehow keeps happening!

Yes, I listed some cons that make it sound as if I didn’t have a positive experience with the Agfa, but the toy cameras I mentioned during the intro of this post have their own flaws as well (if you only knew how much gaffers tape I have to use on my Lomography Diana cameras to prevent light leaks…) The way I see it, the Isola I is just a basic camera from nearly sixty years ago. It is in no way a camera with modern amenities. But if you’re someone who enjoys toy cameras like the Holga or Diana and you see an Agfa Isola I for $10 or $15, I say pick it up!

{Diana + Tri-X}

Kodak Tri-X is my favorite Kodak black and white film. It’s the only black and white film that I’ve shot in my Diana F+ thus far, and I have found that it’s a really nice pairing of camera and film. I can’t really qualify that statement, except to say I just feel like Tri-X has the right amount of grain and contrast for use in this plastic camera! Kind of like how sometimes you can’t put your finger on why you like a particular piece of art, you just know you do like it 🙂

Here are photos taken with my most recent use of the Diana F+ and Tri-X together. I am rather pleased!

Como, Mississippi

Pinhole exposure of a few hours

Hernando, Mississippi

Mallory’s new apartment, Memphis

Mallory’s new apartment, Memphis

Coldwater, Mississippi

Coldwater, Mississippi

Coldwater, Mississippi

Coldwater, Mississippi

Coldwater, Mississippi

Lomography Diana F+ • Kodak Tri-X

{Fuji + Fuji}

Awhile back, I thought I’d put one of my favorite films in one of my favorite cameras: Fuji Pro 400H in my Fuji GA645i. The GA645i is one of those cameras that I forget how much I enjoy using until I get it in my hands again.

Scenes from a visit to Muddy’s Midtown

I shot this on Instax mini and wanted to see how it turned out on another Fuji

Rainy day

That valance I love at my sister’s house

All was going well, until something potentially bad happened: I discovered my GA645i, in the soaking wet floorboard of my car. For a camera which is completely reliant on electronics to function, I thought the GA645i was a goner. I was preparing to go into mourning, but I decided that it couldn’t hurt to put the camera into a container of rice to give it a chance to dry out, like you would if you dropped your mobile phone into a glass of water.

GA645i, in a combination of sushi rice and arborio rice

I trepidatiously took this photo to see if the camera would go haywire – it didn’t!

I took a celebratory photo of the GA645i for my Instax daily photo project

Clover

The Mayapples bloomed

Radio Flyer

Cart of wood

As you can see, the camera still worked after it gave me the scare of a lifetime! I’m so very happy about this ♥

Fuji GA645i Fuji Pro 400H (shot at 320 ISO)

{Late Entry} Expired Film Day 2016

Much like my late entry for #BIFscale16, I am late turning in my Expired Film Day (EFD) photos. To explain what that is, here’s a quote from the EFD website:

Expired Film Day celebrates the joys of using film whose Use-By date has (preferably long-since) passed. One of the particular pleasures of being a film-using photographer in these modern times is the abundance of expired-but-still-probably-pretty-good film on the market, found in grandparents’ attics or at thrift stores, or sourced from the freezers of pros who’ve gone digital.

Expired film can be unpredictable: if you know how it was stored, it might be easy to compensate for its age, if that’s even necessary. If you don’t, your results could range from dark, to flat, to color-shifted and beyond. Many people today say the potential unpredictability of using film is part of what draws them to it over digital; using expired film takes the existing unpredictability of using film and compounds it.

I am no stranger to expired film. I probably like using it more than I should. I didn’t have to purposely buy out-of-date film in order to participate in Expired Film Day, because my fridge’s crisper drawer is usually well-stocked with several varieties. I was actually surprised I was able to take part in EFD, which took place on March 15, because I worked 9 hours that day. I thought my best chance of finishing a roll would be to shoot a roll of 120 in my Yashica-Mat, because that way I would only need to mange to take 12 photos instead of the 24-36 photos I’d have to take if I were using 35mm instead.

The film I chose was a roll of Fujichrome 64T slide film, which I would have cross-processed by the photo lab. I don’t know what the expiration date on it is, but judging from the results I got the previous time I shot a roll from the same batch of 64T, I figured it was WELL expired and probably not stored in good conditions. The results did not disappoint, since my expectations were that the results wouldn’t be predictable!

A 1959 Ford I photographed a couple of times for my daily photo project

Child’s chair

My dog Dilly, taking a nap

Mother’s things

“Lookin’ out my back door” (sorry, had to do it)

Heels (my fave shot from this batch)

Yashica-Mat • Fujichrome 64T, expiration date unknown • Cross-processed

And there ya have it! I hope Expired Film Day is an annual occurrence from now on and that I’ll be able to participate in it in a more timely manner next time!