Category Archives: Film Photography

Further Adventures in Redscale

Redscaling film is a technique I originally started fiddling around with back in 2012. I wrote a blog about it and explained how redscale film works. In short, you load the film into the camera upside down, with the light-sensitive side facing toward the back of the camera instead of toward the shutter.  The results I’ve gotten with my DIY redscale film have generally produced VERY STRONG red, orange, or yellow results. I decided that it wasn’t a look I wanted in my photos very often.

Redscale roll #1

Fuji Superia 400, shot at 200 ASA

Redscale Roll #2

Fuji Superia 400, shot at 200 ASA

Redscale Roll #3

Fuji Superia 400, shot at 100 ASA

Redscale Roll #4

Fuji Superia 400, in a camera with no exposure/ASA control

I’d seen examples around the web that featured redscale photos with much more subtle colors than the ones I’d been getting. It seems that you need to purposely REALLY overexpose the film if you don’t want strong, warm tones in your photos. Since my favorite redscale roll had been shot in my Ricoh FF-1 (Roll #3, as shown above – in London 😉 ) I thought I’d try shooting more redscale film in that camera. I put some 200 ASA film in my FF-1, setting the film speed as 25 (that’s THREE STOPS difference between the film’s box speed and the speed at which it was shot.) This meant I needed to shoot on sunny days in order to get good exposures. 25 ASA is reeeeeally “slow” (not very sensitive to light, requiring more light to make a correct exposure.) Thankfully, we had a sunny autumn, and I couldn’t be happier with the results! I am keen to try this again with different film brands/speeds/lighting conditions.

Ricoh FF-1 • Kodak Gold 200, shot at 25 ASA

Note: Usually, photos on redscale film are presented backwards/as a mirror image, due to the film being shot backwards (i.e. If you shoot something with a word on it, the word will be reversed the same way it would be if you held it up to a mirror.) The lab I used to develop this latest roll either scanned it differently or reversed the images after they were scanned, because none of the photos are reversed. I love it! I just might have to make sure my redscale photos aren’t “backwards” from now on! 

Fuji GA645: A Retrospective

I have had a lot of film cameras in my time, because I love film cameras so much! Sometimes, I find that I’m not using a camera often enough to warrant keeping it. That’s what happened to me and my Fuji GA645, which is essentially a big point-and-shoot medium format camera. It was an interesting camera for sure. I had it for a couple of years and decided it had to find a new home where it might get more use. Recently, I began looking back at the photos from the handful of rolls of film I shot with the GA645.  I did use the camera like a giant point-and-shoot at times – especially with shots I grabbed of my (very small back then) niece. As I looked through the photos I’ve included in today’s post, I couldn’t help but wonder if I ever used the GA645 to its fullest potential. So much so that I may have purchased another one this week. (I did.)

Please enjoy this GA645 retrospective with me. Most of these were taken in 2005. The last few are from 2007.


I self-developed  and scanned all the black and white photos. I wish I would have been shooting more color medium format film during the time when I owned the GA645!  I just didn’t have good access to film developing for medium format film back then. I do now though!

If all goes well with the “new” one I’ve got on the way to me now, I’ll make a more extensive post, detailing the camera’s features.

{Instant Engagement} Jessica + Dustin

Last week, I did an engagement session with the (delightful) Jessica and Dustin. I’ll soon be sharing more photos from our afternoon together, but I thought I’d show you a few instant photos I took during our session first!

  Polaroid SLR 680 SE • Impossible Project BW 600 Hard Color frames film

 

“Something Extraordinary”

The subject of today’s post is the time my niece (aged 12 at the moment) was wanting to do some paid modeling work ( 😉 ) for me last month. She was getting excited, asking me how much I might possibly pay her to be my model. She wanted to know what the MAX amount I might pay her for this session. In sort of a teasing manner, I said “Oh, well, if you want over x amount of dollars, it’d have to be something extraordinary.” She wanted to know what constituted “extraordinary.” Just for grins and giggles, I suggested maybe if she’d wear the tiara from her graduation ceremony at church last year (a sparkly tiara being something she would NOT want to be caught dead in under normal circumstances,) I would consider that extraordinary and would give her a higher “modeling fee.”

She ran into her room and grabbed the box which had been housing the tiara since she had been required to wear it for the ceremony at church last year. I guarantee you she hadn’t given that thing a second thought until the day of our photo shoot. I told her to put it on, so I could see if I really did like the idea of photographing her in it. She popped it on her head and sat down next to me to start figuring out ideas for the photo shoot. I was laughing SO HARD (on the inside – didn’t want her to think I was making fun of her) because she would pitch an idea, look over her glasses at me with a twinkle in her eyes, and say “Would that be ‘extraordinary’??” This went on for quite awhile, between pitching ideas and fee negotiations. Eventually, AM said “What if I were holding my bo staff* and had the tiara on??” She thought that combo would be worth a high sum. A tough princess vibe for the shoot? What was really making me laugh was the fact that she was running around with the tiara on her head the whole time that we were trying to figure out the details of the photo shoot – much longer than would have been required to wear it in the photos. I was thinking, “Girl, don’t you realize you’re wearing that tiara for free while you’re running around trying to plan these photos??”

 

Yashica-Mat • Ilford HP5 Plus
(+ the Impossible Project gold frame shot with my Polaroid SX-70 Sonar)

And you know what? After all that planning, I just took 12 photos with my Yashica TLR (well, and the Polaroid one at the top of the post.) There were only a few I really liked enough to show off.  But I just think so fondly of this session because of the planning portion when my niece had that glimmer in her eyes, trying to think of something extraordinary for the photos. ♥♥♥
*Don’t worry, internet, my niece doesn’t really have a bo staff. It’s a broom handle that has tape on it in strategic places, that she and my dad made to go with a Halloween costume a couple of years ago.